Unico CLV6

Leading-edge technology, elegance and sound quality in a perfect blend, reflecting all Viscount’s long-established commitment to the professional organist and keen amateur player

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Description

The CL 6 is a compact two-manual organ with 32-note pedalboard, 35 registers, and a real-wood console cabinet (or laminate in the case of CLV 6) with roll-top key cover. Ideal for the student or a small to medium-sized church, it has a huge library of internal registers through which the user can easily customize the audio of his instrument.

Developed with the award-winning and patented Physis ® technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, the CL 6 is capable of generating the highest-fidelity, most authentic church organ sound.

Parameter settings are easy to access, modify and store through the graphic display on the front panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e .the correlation between the “touch” of the organist and the transient attack of each virtual pipe.

SPECIFICATIONS

OVERVIEW

Tecnology PHYSISᆴ PHYSICAL MODELING
Manuals 2 x 61 keys "Tracker Touch" keyboards, with velocity control for MIDI and Orchestra sections
Pedalboard 32 keys straight, straight concave or radiating concave AGO
Stop Controls Tilt Tabs
Internal Amplification 3 Channels, 5 Speakers, 220 W Total (2 x 60 Watt + 1 x 100 Watt)
Expression Pedals 1
Crescendo Pedal Yes

STOPS & VOICES

Organ Stops 35
Pedal 10
Great 12
Swell 13
Couplers 3
Tremulants 2, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B
Total Organ Voices > 460
Total Orchestral Voices > 100
Orchestral Voices Stops 3
Styles 4 Preset: Baroque, North German Barock, Romantic, Symphonic + 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive
Temperaments 17
Ensemble Adjustable
Air Supply Emulator Adjustable

MEMORIES

General Pistons 8
Total General Memories 128: 16*8 Banks
Divisional Pistons 18: 6 for each Organ Division
Piston Sequencer Previous, Next, Memory Bank-, Memory Bank+
Return to Handset Registration Individual HR for General and Divisional Pistons
Tutti Programmable

ACCESSORIES

Transposer -6/+5 semitones
Automatic Pedal Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler
Enclosed Yes, Programmable section by section assignment to any shoe
Midi Trasmission Enable Yes, Independent for each Organ Section activable with thumb piston
Toe Pistons 4
Reverb 8 different venues emulator
EQ 5 bands digital Graphic EQ for each channel
MIDI Sequencer Interactive sequencer with Overdubbing function
Remote Control optional
Organ Solo Coupler yes
MIDI Solo Couplers yes
Keyboard Inversion Yes, Fully customizable
Demo Songs yes
Organ Setup lock With Password
ON/OFF switch Switch

EXTERNAL AUDIO SYSTEM

Line Outputs 4+1
Voices Output Routing Programmable
Output EQ 5 bands digital Graphic EQ for each output

INTERFACE

MIDI Interface In, Out and Thru
Stereo Headphone Output yes
Stereo Aux Input yes
Mic Input With rotative Gain Control
USB for Pen Drive Yes
USB for PC Yes

CONSOLE

Cabinet Wooden Moldings
Music Rack Wooden lighted
Rolltop Wooden with Key lock
Bench With Music Storage shelf
Dimensions (WxHxD) cm 145,8 x 114,5 x 111,7 - 57,40" x 45,07" x 43,97"
Weight Kg 137 / Lbs 302

DETAILS

INTERFACE

Interface

The knobs, tabs, pistons and display provide super efficient control of the entire instrument.

The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the center of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with it’s own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possbility and personalization at the user’s fingertips.

KEYBOARD

Keyboard

“Tracker Touch” style keyboard

Knowing the importance of the classic-organ keyboard, we’ve taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.  The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect.

SOUND GENERATION

SOUND GENERATION

Powered by Physis ®

Physis® Physical modeling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses  Physis® technology – which builds sound through modeling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modeling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having it’s own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modeling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’!

CONNECTIONS

Connections

Complete ConnectionsA complete selection of external connections is smartly situtated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there’s a microphone with gain control, 4 external multiple outs + Sub – with the option to expand these to 12+1(Sub). There are also USB host and Device connections.For the USB Host connection, it’s possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spacial disposition – and many other parameters.

PEDALS

Pedals

Two Expression Pedals

The two expression pedals provide a fluid and precise movement – allowing complete control of the volume for Manual II, and CRESCENDO – programmable up to 16 levels.

VIDEOS

Introduction to Physis Voicing Flexibility

Modifying a Voicing Style

Physis Voicing Parameters

Tuning Options for Physis Organs

Advanced Tuning, Winding and Touch

Introduction to Audio System Setup

Using External Audio

Physis Technology - Behind the Scenes - part 1 - [HD]

Physis Technology - Behind the Scenes - part 2 - [HD]

Physis Technology - Behind the Scenes - part 3 - [HD]

SUPPORT

SOFTWARE

“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com

Compatibility:
Editor Version    O.S. Version
1.7.1         1.6.0 – 1.12.3
1.8.1         1.13.0 – 1.13.3
1.9.0         1.13.4
1.10.2         1.14.0 – 1.14.15
1.11.0         1.14.16 – and above

OPERATING SYSTEM UPDATE

O.S. Current Release: 1.14.16

Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it

DISPOSITIONS

STANDARD

Pedal

Contra Violon 32′

Prinzipalbass 16′

Subbass 16′

Violone 16′

Oktavbass 8′

Gedackt 8′

Choralbass 4′

Contra Bombarde 32′

Posaune 16′

Trompette 8′

Coupler I/P

Coupler II/P

Manual I

Bourdon 16′

Prinzipal 8′

Hohlflöte 8′

Unda Maris 8′

Oktave 4′

Spitzflöte 4′

Superoktave 2′

Kornett IV

Mixtur V

Contra Trompete 16′

Trompete 8′

Krummhorn 8′

Tremulant

Coupler II/I

Manual II

Rohrgedackt 8′

Viola di Gamba 8′

Vox Celeste 8′

Prinzipal 4′

Rohrflöte 4′

Nasard 2 2/3′

Blockflöte 2′

Terz 1 3/5′

Scharf III

Fagott 16′

Oboe 8′

Vox Humana 8′

Clairon 4′

Tremulant

UNICO CL6 EU STANDARD – Alternative Voices.pdf

UNICO CL6 EU STANDARD – Styles.pdf

ITALY

Pedale

Contra Basso 16’

Bordone 16’

Violone 16’

Ottava 8’

Bordone 8’

Basso Corale 4’

Ripieno 4f.

Trombone 16’

Tromba 8’

Clarone 4’

Violoncello

Unione I/P

Unione II/P

Grand’organo

Principale 16’

Principale 8’

Flauto Aperto 8’

Ottava 4’

Flauto a Cuspide 4’

XII 2 2/3’

XV 2’

Ripieno 4f.

Cornetto 3f.

Voce Umana 8’

Tromba 8’

Cromorno 8’

Clavicembalo

Tremolo

Unione II/I

Recitativo

Principale Violino 8’

Bordone 8’

Gamba 8’

Principalino 4’

Flauto a Camino 4’

Nazardo 2 2/3’

Flautino 2’

Decimino 1 3/5’

Cimbalo 3f.

Voce Celeste 8’

Fagotto 16’

Tromba Armonica 8’

Oboe 8’

Campane Tubolari

Tremolo

UNICO CL6 IT STANDARD – Alternative Voices.pdf

UNICO CL6 IT STANDARD – Styles.pdf

FRANCE

Pédale

Contra Bourdon 32’

Flûte ouverte 16’

Soubasse 16’

Flûte 8’

Flûte 4’

Flûte 2’

Contra Fagotto 32’

Bombarde 16’

Trompette 8’

Clairon 4’

Accoupl. I/P

Accoupl. II/P

Grand Orgue

Montre 16’

Montre 8’

Flûte Harmonique 8’

Bourdon 8’

Prestant 4’

Doublette 2’

Piccolo 1’

Cornet II-V

Fourniture IV

Ranquette 16’

Trompette 8’

Cromorne 8’

Tremblant

Accoupl. II/I

Récit

Flûte à Cheminée 8’

Viole de Gambe 8’

Voix Céleste 8’

Flûte à fuseau 4’

Nasard 2 2/3’

Flûte conique 2’

Tierce 1 3/5’

Larigot 1 1/3’

Plein Jeu harmonique III-VI

Bombarde 16’

Trompette Harmonique 8’

Basson Hautbois 8’

Voix Humaine 8’

Tremblant

UNICO CL6 FR STANDARD – Alternative Voices.pdf

UNICO CL6 FR STANDARD – Styles.pdf

DEUTSCHLAND

Pedal

Untersatz 32’

Prinzipalbass 16’

Kontrabass 16’

Subbass 16’

Oktavbass 8’

Gemshorn 8’

Choralbass 4’

Mixtur IV

Posaune 16’

Trompete 8’

Koppel Hw/Ped

Koppel Sw/Ped

Hauptwerk

Gemshorn 16’

Prinzipal 8’

Holzflöte 8’

Salizional 8’

Oktave 4’

Querflöte 4’

Quinte 2 2/3

Superoktave 2’

Kornett V

Mixtur V

Trompete 8’

Clairon 4’

Tremulant

Koppel Sw/Hw

Schwellwerk

Flötenprinzipal 8’

Gedackt 8′

Gamba 8’

Vox Coelestis 8’

Weitoktave 4’

Rohrflöte 4’

Quintflöte 2 2/3’

Waldflöte 2’

Terzflöte 1 3/5’

Scharf IV

Fagott 16’

Trompete 8′

Oboe 8’’

Tremulant

UNICO CL6 DE STANDARD – Alternative Voices.pdf

UNICO CL6 DE STANDARD – Styles.pdf

HOLLAND

Pedaal

Contra Bourdon 32′

Prestant 16’

Subbass 16’

Prestant 8’

Gedekt 8’

Koraalbas 4’

Ruispijp III

Bombarde 32’

Bazuin 16’

Trompet 8′

Koppel Hw/Ped

Koppel Sw/Ped

Hoofdtwerk

Prestant 16′

Prestant 8′

Roerfluit 8′

Quintadeen 8′

Octaaf 4′

Quint 2 2/3′

Octaaf 2′

Spitsfluit 2′

Cornet V

Mixtuur IV

Trompet 16’

Trompet 8’

Tremulant

Koppel Sw/Hw

Zwelwerk

Bourdon 16′

Holpijp 8′

Viola di Gamba 8′

Vox Celeste 8′

Octaaf 4′

Koppelfluit 4′

Quintfluit 2 2/3′

Nachthoorn 2′

Tets 1 3/5’

Scherp III

Basson 16’

Dulciaan 8′

Vox Humana 8’

Tremulant

UNICO CL6 NL STANDARD – Alternative Voices.pdf

UNICO CL6 NL STANDARD – Styles.pdf