Unico CLV4

Leading-edge technology, elegance and sound quality in a perfect blend, reflecting all Viscount’s long-established commitment to the professional organist and keen amateur player

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Description

CL4 is a two-manual compact organ, 30-notes pedalboard and 35 registers, with a real-wood console (or laminate in the case of CLV4) with roll-top key cover. Ideal for students or for small churches, it has a huge library of internal registers through which the user can easily customize the instrument.

Developed with award-winning and patented Physis® physical modelling technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, the CL4 is capable of generating high-fidelity sound while providing ultimate flexibility in modelling personal sound preference. Parameter settings are easily to access, modify and store through the display on the side panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.

SPECIFICATIONS

OVERVIEW

Tecnology PHYSISᆴ PHYSICAL MODELLING
Manuals 2 x 61 keys "Tracker Action" keyboards, with velocity control for MIDI and Orchestra sections
Pedalboard 30 keys straight, straight concave or radiating concave
Stop Controls Tilt Tabs
Internal Amplification 3 Channels, 5 Speakers, 220 W Total (2 x 60 Watt + 1 x 100 Watt)
Expression Pedals 2

STOPS & VOICES

Organ Stops 35
Pedal 10
Great 12
Swell 13
Couplers 3
Tremulants 2, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B
Total Organ Voices > 460
Total Orchestral Voices > 100
Styles 4 Preset + 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive
Temperaments 17
Ensemble Adjustable
Air Supply Emulator Adjustable

MEMORIES

General Pistons 8
Total General Memories 128: 16*8 Banks
Piston Sequencer Previous, Next, Memory Bank-, Memory Bank+
Return to Handset Registration Yes
Tutti Programmable

ACCESSORY FUNCTIONS

Transposer -6/+5 semitones
Automatic Pedal Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler
Enclosed Yes, Programmable for each section
Midi Trasmission Enable Yes, Independent for each Organ Section activable with tabs
Reverb 8 different venues emulator
Internal Amp EQ 5 bands digital Graphic EQ
MIDI Sequencer Interactive sequencer with Overdubbing function
Remote Control optional
Keyboard Inversion Yes
Organ Setup lock With Password
ON/OFF switch Switch

EXTERNAL AUDIO SYSTEM

Line Outputs 4+1
Output Volume Control Adjustable, for each output
Voices Output Routing Programmable for each voices
Output EQ 5 bands digital Graphic EQ for each output

INTERFACE

MIDI Interface In, Out and Thru
Stereo Headphone Output yes
Stereo Aux Input yes
Mic Input With rotative Gain Control
USB for Pen Drive Yes
USB for PC Yes

CONSOLE

Cabinet Wooden Moldings
Music Rack Wooden lighted
Rolltop Wooden with Key lock
Bench With Music Storage shelf
Dimensions (WxHxD) cm 126,6 x 114,5 x 111 - 49,84" x 45,07" x 43,70"
Dimensions without pedalboard (WxHxD) cm 126,6 x 114,5 x 62,3 - 49.84" x 45.07" x 24.52"
Weight Kg 121 / Lbs 267

DETAILS

INTERFACE

Interface

The knobs, tabs, pistons and display provide super efficient control of the entire instrument.

The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the centre of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips.

KEYBOARD

Keyboard

“Tracker Touch” style keyboard

Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect.

SOUND GENERATION

SOUND GENERATION

Powered by Physis ®

Physis® Physical modelling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses Physis® technology – which builds sound through modelling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modelling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having its own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modelling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’!

CONNECTIONS

Connections

Complete Connections

A complete selection of external connections is smartly situated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there are a microphone with gain control, 4 external multiple outs + Sub – with the option to expand these to 12+1(Sub). There are also USB host and Device connections. For the USB Host connection, it is possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spatial disposition – and many other parameters.

PEDALS

Pedals

2 Expression Pedals

2 expression pedals provide a fluid and precise movement – allowing complete control of the volume for Manual II, the volume for Manual I – as well as the Pedal.

VIDEOS

Introduction to Physis Voicing Flexibility

Modifying a Voicing Style

Physis Voicing Parameters

Tuning Options for Physis Organs

Advanced Tuning, Winding and Touch

Introduction to Audio System Setup

Using External Audio

Physis Technology - Behind the Scenes - part 1 - [HD]

Physis Technology - Behind the Scenes - part 2 - [HD]

Physis Technology - Behind the Scenes - part 3 - [HD]

SUPPORT

SOFTWARE

“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com

Compatibility:

Editor Version O.S. Version
1.7.1 1.6.0 – 1.12.3
1.8.1 1.13.0 – 1.13.3
1.9.0 1.13.4
1.10.1 1.14.0 – 1.14.5
1.10.2 1.14.6– 1.14.15
1.11.0 1.14.16 – and above

OPERATING SYSTEM UPDATE

O.S. Current Release: 1.14.18

Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it

Notice: After the .ZIP file has been downloaded, extract the update .PHY file and copy it to the main folder (root) of a USB flash drive.

DISPOSITIONS

STANDARD

Pedal

Contra Violon 32′

Prinzipal Bass 16′

Subbass 16′

Violone 16′

Oktav Bass 8′

Gedackt 8′

Choral Bass 4′

Contra Bombarde 32′

Posaune 16′

Trompete 8′

Coupler I / P

Coupler II / P

Manual I

Bourdon 16′

Prinzipal 8′

Hohlflöte 8′

Unda Maris 8′

Oktave 4′

Spitzflöte 4′

Super Oktave 2′

Kornett IV

Mixtur V

Contra Trompete 8′

Krumm Horn 8′

Tremulant

Coupler II / I

Manual II

Rohr- gedackt 8′

Viola di Gamba 8′

Vox Celeste 8′

Prinzipal 4′

Rohrflöte 4′

Nasard 2 2/3′

Blockflöte 2′

Terz 1 3/5′

Scharf III

Fagott 16

Oboe 8′

Vox Humana 8

Clarion 4′

Tremulant

UNICO CL4 EU STANDARD – Alternative Voices.pdf

UNICO CL4 EU STANDARD – Styles.pdf

UNICO CL/CLV 4-CL/CLV 6-CL/CLV 8 Orchestral Voices Tabs

ITALIAN

Pedale

Contra Basso 16’

Bordone 16’

Violone 16’

Ottava 8’

Bordone 8’

Basso Corale 4’

Ripieno 4f.

Trombone 16’

Tromba 8’

Clarone 4’

Violoncello

Unione I/P

Unione II/P

Grand’organo

Principale 16’

Principale 8’

Flauto Aperto 8’

Ottava 4’

Flauto a Cuspide 4’

XII 2 2/3’

XV 2’

Ripieno 4f.

Cornetto 3f.

Voce Umana 8’

Tromba 8’

Cromorno 8’

Clavicembalo

Tremolo

Unione II/I

Recitativo

Principale Violino 8’

Bordone 8’

Gamba 8’

Principalino 4’

Flauto a Camino 4’

Nazardo 2 2/3’

Flautino 2’

Decimino 1 3/5’

Cimbalo 3f.

Voce Celeste 8’

Fagotto 16’

Tromba Armonica 8’

Oboe 8’

Campane Tubolari

Tremolo

UNICO CL4 IT STANDARD – Alternative Voices.pdf

UNICO CL4 IT STANDARD – Styles.pdf

UNICO CL/CLV 4-CL/CLV 6-CL/CLV 8 Orchestral Voices Tabs

FRENCH

Pédale

Bourdon 32’

Flûte ouverte 16’

Soubasse 16’

Flûte 8’

Flûte 4’

Flûte 2’

Contre Basson 32’

Bombarde 16’

Trompette 8’

Clairon 4’

Accoupl. I/P

Accoupl. II/P

Grand Orgue

Montre 16’

Montre 8’

Flûte harmonique 8’

Bourdon 8’

Prestant 4’

Doublette 2’

Piccolo 1’

Cornet II-V

Fourniture IV

Ranquette 16’

Trompette 8’

Cromorne 8’

Tremblant

Accoupl. II/I

Récit

Flûte à Cheminée 8’

Viole de Gambe 8’

Voix Céleste 8’

Flûte à fuseau 4’

Nasard 2 2/3’

Flûte conique 2’

Tierce 1 3/5’

Larigot 1 1/3’

Plein Jeu harmonique III-VI

Bombarde 16’

Trompette harmonique 8’

Basson-Hautbois 8’

Voix humaine 8’

Tremblant

UNICO CL4 FR STANDARD – Alternative Voices.pdf

UNICO CL4 FR STANDARD – Styles.pdf

UNICO CL/CLV 4-CL/CLV 6-CL/CLV 8 Orchestral Voices Tabs

GERMAN

Pedal

Untersatz 32’

Prinzipalbass 16’

Kontrabass 16’

Subbass 16’

Oktavbass 8’

Gemshorn 8’

Choralbass 4’

Mixtur IV

Posaune 16’

Trompete 8’

Koppel Hw/Ped

Koppel Sw/Ped

Hauptwerk

Gemshorn 16’

Prinzipal 8’

Holz?öte 8’

Salizional 8’

Oktave 4’

Querflöte 4’

Quinte 2 2/3

Superoktave 2’

Kornett V

Mixtur V

Trompete 8’

Clairon 4’

Tremulant

Koppel Sw/Hw

Schwellwerk

Flötenprinzipal 8’

Gedackt 8′

Gamba 8’

Vox Coelestis 8’

Weitoktave 4’

Rohrflöte 4’

Quintflöte 2 2/3’

Waldflöte 2’

Terzflöte 1 3/5’

Scharf IV

Fagott 16’

Trompete 8′

Oboe 8’’

Tremulant

UNICO CL4 DE STANDARD – Alternative Voices.pdf

UNICO CL4 DE STANDARD – Styles.pdf

UNICO CL/CLV 4-CL/CLV 6-CL/CLV 8 Orchestral Voices Tabs

DUTCH

Pedaal

Contra Bourdon 32′

Prestant 16′

Subbass 16’

Prestant 8′

Gedekt 8′

Koraalbas 4′

Ruispijp III

Bombarde 32’

Bazuin 16’

Trompet 8’

Koppler I/P

Koppler II/P

Hoofdwerk

Prestant 16′

Prestant 8′

Roerfluit 8′

Quintadeen 8′

Octaaf 4′

Quint 2 2/3′

Octaaf 2′

Spitsfluit 2′

Cornet V

Mixtuur IV

Trompet 16’

Trompet 8’

Tremulant

Koppler II/I

Zwelwerk

Bourdon 16′

Viola di Gamba 8’

Vox Celeste 8’

Octaaf 4’

Koppelfluit 4′

Quintfluit 2 2/3′

Nachthoorn 2′

Terts 1 3/5’

Scherp III

Basson 16’

Dulciaan 8’

Vox Humana 8’

Tremulant

UNICO CL4 NL STANDARD – Alternative Voices.pdf

UNICO CL4 NL STANDARD – Styles.pdf

UNICO CL/CLV 4-CL/CLV 6-CL/CLV 8 Orchestral Voices Tabs