UNICO 700, a prestigious 4 manual featuring 78 speaking stops contained in a “state-of-the art” luxury cabinet. Thanks to the extraordinary capabilities offered by Physis® this awesome instrument will offer an overwhelming sound experience.
product brochureUnico 700 is a four-manual organ with 32-notes pedalboard, 69 draw stops + 9 orchestral registers – each of which can select hundreds of alternative registers stored in the organ library. This allows the user to create their preferred, custom configuration. The organ features an elegant and impressive console cabinet ideal for any professional church environment.
Developed with the award-winning and patented Physis® physical modelling technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, Unico 700 is capable of generating the highest-fidelity, most authentic church organ sound.
Parameter settings are easy to access, modify and store through the graphic display on the front panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.
| Tecnology | PHYSISﾮ PHYSICAL MODELLING |
|---|---|
| Manuals | 4 x 61 keys "Tracker Action" keyboards, with velocity control for MIDI and Orchestra sections |
| Pedalboard | 32 keys straight, straight concave or radiating concave AGO |
| Stop Controls | Drawknobs |
| Internal Amplification | 7 Channels, 13 Speakers, 460 W Total (6 x 60 Watt + 1 x 100 Watt) |
| Expression Pedals | 3 |
| Crescendo Pedal | Yes |
| Organ Stops | 69 |
|---|---|
| Pedal | 13 |
| Great | 15 |
| Swell | 17 |
| Choir | 14 |
| Solo | 10 |
| Couplers | 10 |
| Tremulants | 4, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B |
| Total Organ Voices | > 490 |
| Total Orchestral Voices | > 100 |
| Orchestral Voices Stops | 9 |
| Styles | 4 Preset+ 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive |
| Temperaments | 17 |
| Ensemble | Adjustable |
| Air Supply Emulator | Adjustable |
| General Pistons | 10 |
|---|---|
| Total General Memories | 160: 16*10 Banks |
| Divisional Pistons | 30: 6 for each Organ Division |
| Piston Sequencer | Previous, Next, Memory Bank-, Memory Bank+ |
| Return to Handset Registration | Individual HR for General and Divisional Pistons |
| Tutti | Programmable |
| Transposer | -6/+5 semitones |
|---|---|
| Automatic Pedal | Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler |
| Enclosed | Yes, Programmable for each section |
| Midi Trasmission Enable | Yes, Independent for each organ section activable with stops |
| Toe Pistons | 24 |
| Reverb | 8 different venues emulator |
| Internal Amp EQ | 5 bands digital Graphic EQ |
| MIDI Sequencer | Interactive sequencer with Overdubbing function |
| Remote Control | Optional |
| Organ Solo Coupler | yes |
| MIDI Solo Couplers | yes |
| Keyboard Inversion | Yes, Fully customizable |
| Organ Setup lock | With Password |
| ON/OFF switch | Key |
| Line Outputs | 20+1 |
|---|---|
| Output Volume Control | Adjustable, for each output |
| Voices Output Routing | Programmable for each voices |
| Output EQ | 5 bands digital Graphic EQ for each output |
| MIDI Interface | In, Out and Thru |
|---|---|
| Stereo Headphone Output | Yes |
| Stereo Aux Input | Yes |
| Mic Input | With rotative Gain Control |
| USB for Pen Drive | Yes |
| USB for PC | Yes |
| Cabinet | Wooden Moldings |
|---|---|
| Music Rack | Wooden lighted |
| Rolltop | Wooden with Key lock |
| Bench | With Music Storage shelf |
| Dimensions (WxHxD) | cm 178 x 140 x 123 - 70,07" x 55,11" x 48,42" |
| Dimensions without pedalboard (WxHxD) | cm 178 x 140 x 88 - 70.07" x 55.11" x 34.64" |
| Colours and Finishes | Light oak real wood veneer, Dark oak real wood veneer |
| Weight | Kg 332 / Lbs 732 |
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Interface The knobs, tabs, pistons and display provide super efficient control of the entire instrument. The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the centre of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips. |
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Keyboard “Tracker Touch” style keyboard Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect. |
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SOUND GENERATION Powered by Physis ® Physis® Physical modelling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses Physis® technology – which builds sound through modelling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modelling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having its own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modelling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’! |
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Connections Complete Connections A complete selection of external connections is smartly and conveniently situtated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there are a microphone with gain control, 12 external multiple outs + 1(Sub) – with the option to expand these to 20+1(Sub). There are also USB host and Device connections. For the USB Host connection, it is possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spatial disposition – and many other parameters. |
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Pedals 3 Expression pedals and Crescendo pedal 3 expression pedals provide a fluid and precise movement – allowing complete control of the volume for Manual I, the volume for Manual III, the volume of Manual IV and the CRESCENDO – programmable up to 16 levels. |
“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com
Compatibility:
| Editor Version | O.S. Version |
| 1.7.1 | 1.6.0 – 1.12.3 |
| 1.8.1 | 1.13.0 – 1.13.3 |
| 1.9.0 | 1.13.4 |
| 1.10.1 | 1.14.0 – 1.14.5 |
| 1.10.2 | 1.14.6– 1.14.15 |
| 1.11.0 | 1.14.16 – and above |
O.S. Current Release: 1.14.18
Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it
Notice: After the .ZIP file has been downloaded, extract the update .PHY file and copy it to the main folder (root) of a USB flash drive.
Pedal
Untersatz 32′
Subbass 16′
Prinzipalbass 16′
Subbass 16′
Gedackt 16′
Oktavbass 8′
Gedackt 8′
Choral Bass 4′
Mixtur IV
Contra Bombarde 32′
Posaune 16′
Fagott 16′
Trompete 8′
Schalmei 4′
Coupler I/P
Coupler II/P
Coupler III/P
Coupler IV/P
Manual I
Quintadena 16′
Prinzipal 8′
Flöte 8′
Dulciana 8′
Offenflöte 4′
Octave 4′
Sesquialtera II
Doublette 2′
Larigot 1 1/3′
Sifflöte 1′
Cymbal IV
Regal 16′
Trompete 8′
Krummhorn 8′
Tremulant
Coupler III/I
Coupler IV/I
Manual II
Prinzipal 16′
Prinzipal 8′
Gamba 8′
Hohlflöte 8′
Gedackt 8′
Unda Maris 8′
Octave 4′
Spitzflöte 4′
Quinte 2 2/3′
Superoktave 2′
Kornett III
Mixtur V
Contra Trompete 16′
Trompete 8′
Trompete 4‘
Tremulant
Coupler I/II
Coupler III/II
Coupler IV/II
Manual III
Bourdon 16′
Prinzipal 8′
Bassoon 16
Bourdon8′
Flûte Harmonique 8′
Viola dieGambe 8′
Voix Céleste 8′
Oktave 4′
Prestant 4′
Flûte Octaviante 4′
Nazard 2 2/3′
Piccolo Harmonique 2′
Tierce 1 3/5′
Plen Jeu IV
Trompette 8′
Hautbois 8′
Voix Humaine 8′
Clarion 4′
Tremulant
Coupler IV/III
Solo
Contra Gamba 16′
Concert Flute 8′
Viole d’Orchestre 8′
Viole Celeste 8′
Salicet 4′
Grand Cornet V
Bombarde 16′
Orchestral Oboe 8′
Chamade 8′
Clarinet 8′
Tremulant
Orchestra
Pedal: Cello
Manual I: Piano
Manual I:Harpsichord
Manual II: Harp
Manual II: String
Manual III: Chimes
Manual III: Oboe
Manual IV: Trumpet
Manual IV: Flute
Pedale
Basso Profondo 32′
Contra Basso 16′
Subbasso 16′
Violone 16′
Ottava 8′
Bordone 8′
Basso Corale 4′
Ripieno 5f.
Contra Bombarda 32′
Trombone 16′
Tromba 8′
Clarone 4′
Unione I/P
Unione II/P
Unione III/P
Unione IV/P
Positivo
Corno di Camoscio 16′
Principale 8′
Flauto Coperto 8′
Quintante 8′
Ottava 4′
Flauto Conico 4′
Flauto in XII 2 2/3′
XV 2′
Cornetta 1 3/5′
XIX 1 1/3′
XXII 1′
Due di Ripieno
Voce Umana 8′
Cromorno 8′
Tremolo
Unione III/I
Unione IV/I
Grand’organo
Principale 16′
Diapason 8′
Principale 8′
Flauto Aperto 8′
Dulciana 8′
Ottava 4′
Flauto a Cuspide 4′
XII 2 2/3′
XV 2′
Ripieno Grave 4f.
Ripieno Acuto 3f.
Cornetto 3f.
Tromba 16′
Tromba 8′
Tromba 4′
Tremolo
Unione I/II
Unione III/II
Unione IV/II
Recitativo
Bordone Amabile 16′
Quintante 8′
Principale Violino 8′
Principale Armonico 8′
Bordone di Legno 8′
Viola di Gamba 8′
Voce Celeste 8′
Principalino 4′
Flauto Ottaviante 4′
Nazardo 2 2/3′
Flauto Silvestre 2′
Decimino 1 3/5′
Ripienino 3f.
Fagotto 16′
Tromba Armonica 8′
Oboe 8′
Regale 8′
Chiarina 4′
Tremolo
Unione IV/III
Solo
Principale Stentor 8′
Flauto Traverso 8′
Viola d’Orchestra 8′
Viola Celeste I 8′
Viola Celeste II 8′
Fugara 4′
Tremolo
Orchestra
Pedale: Violoncello
Grand’organo: Arpa
Grand’organo: Archi
Recitativo: Campane Tubolari
Recitativo: Oboe
Positivo: Pianoforte
Positivo: Clavicembalo
Solo: Tromba
Solo: Flauto
Pedaal
Prestant 32′
Prestant 16′
Subbas 16′
Quintbas 10 2/3′
Octaaf 8′
Gedeckt 8′
Roerquint 5 1/3′
Octaaf 4′
Bazuin 32′
Bazuin 16′
Trompet 8′
Schalmei 4′
Koppel Hw/Ped
Koppel Zw/Ped
Koppel Pos/Ped
Koppel So/Ped
Positef
Quintadeen 16′
Quintadeen 8′
Prestant 8′
Holpijp 8′
Octaaf 4′
Nasard 2 2/3′
Superoctaaf 2′
Gemshoorn 2′
Sesquialter II
Larigot 1 1/3′
Scherp IV
Dulciaan 16′
Trompet 8′
Kromhoorn 8′
Tremulant
Koppel Zw/Pos
Koppel So/Pos
Hoofdwerk
Prestant 16′
Gedekt 16′
Prestant 8′
Fluit Harmonique 8′
Roerfluit 8′
Quint 5 1/3′
Roerquint 2 2/3′
Octaaf 2′
Cornet V
Cimbel III
Trompet 16′
Trompet 8′
Tremulant
Koppel So/Hw
Koppel Zw/Hw
Koppel Pos/Hw
Zwelwerk
Bourdon 16′
Prestant 8′
Nacthhoorn 8′
Gamba 8′
Vox Celeste 8′
Octaaf 8′
Roerfluit 4 ‘
Nasard 2 2/3′
Woudfluit 2′
Terts 1 3/5′
Flageolet 1′
Mixtuur IV
Bombarde 16′
Trompette Harmonique 8′
Hobo 8′
Vox Humana 8′
Clairon Harmonique 4′
Tremulant
Koppel So/Zw
Solo
Viola 8′
Trompeta Magna 16′
Trompeta Real 8′
Schalmei 8′
Clarin 4′
Tremulant
Orchestra
Pedaal: Cello
Hoofdwerk: Harp
Hoofdwerk: Strings
Zwelwerk: Chimes
Zwelwerk: Oboe
Posiitef: Piano
Positief: Harpsichord
Solo: Trumpet
Solo: Flute
