SONUS 60 is a three-manual organ with a 32 notes pedalboard and 60 register-tabs, each of which can select hundreds of organ and orchestra voices.
It is available with real wood cabinet in the Deluxe version (SONUS 60 DLX) or with laminate console.
SONUS 60 comes with 8 organ styles (4 pre-set and 4 programmable) that allow the organist to create and store an infinite number of combinations, either in the 128 internal memory locations or externally via USB memory. The parameter settings are easily accessible through the graphic display on the front panel. The “Tracker Action” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.
Developed with the award-winning and patented Physis® physical modelling technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, Sonus 60 is capable of generating the highest-fidelity, most authentic church organ sound.
Parameter settings are easy to access, modify and store through the graphic display on the front panel.
SONUS 60 uses a revolutionary sound system developed by Viscount called RAR (Real Audio Rendering). It is able to simulate multiple sound reflections of the walls, projecting the organist at center stage and involving them in an unforgettable sound experience – even from their living room or studio.
The buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips. 2 Expression Pedals and Crescendo pedal
2 expression pedals provide a fluid and precise movement – allowing complete control of the volume for Manual I, the volume for Manual III, and the CRESCENDO – programmable up to 16 levels. “Tracker Touch” style keyboard
Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect.
| Peso | Kg 153 / Lbs 337 |
|---|---|
| Dimensioni | cm 144,4 x 138,5 x 114,5 – 56,85″ x 54,52″ x 45,07″ |
| Materiali |
| PEDAL | MAN I | MAN II | MAN III |
| Untersatz 32′ Principalbass 16′ Subbass 16′ Octavbass 8′ Gedacktbass 8′ Choralbass 4′ Mixtur IV Contra Posaune 32′ Posaune 16′ Trompete 8′ Klarine 4′ | Rohrgedackt 8′ Quintadena 8′ Principal 4′ Gedacktflöte 4′ Octave 2′ Quinte 1 1/3′ Sesquialtera II SScharff III Dulzian 16′ Cromorne 8′ Vox Humana 8′ | Principal 16′ Principal 8′ Flûte Harmonique 8′ Rohrflöte 8′ Gemshorn 8′ Octave 4′ Blockflöte 4′ Quinte 2 2/3′ Superoctave 2′ Mixtur V Cornett IV Trompete 16′ Trompete 8′ Strings | Bourdon 16′ Principal 8′ Gedackt 8′ Salicional 8′ Vox Celeste 8′ Octave 4′ Traversflöte 4′ Nasard 2 2/3′ Waldflöte 2′ Terz 1 3/5′ Plein Jeu IV Fagott 16′ Trompette Harmonique 8′ Oboe 8′ Clairon 4′ |
| PEDALE | GRAND’ORGANO | RECITATIVO | POSITIVO |
| Bordone 32′ Principale 16′ Subbasso 16′ Ottava 8′ Bordone 8′ Basso Corale 4′ Ripieno 4 f. Contro Bombarda 32′ Trombone 16′ Tromba 8′ Clarone 4′ | Principale 16′ Principale 8′ Flauto Aperto 8′ Dulciana 8′ Ottava 4′ Flauto a Cuspide 4′ Quinta 2 2/3′ Superottava 2′ Ripieno Grave 4 f. Ripieno Acuto 3 f. Sesquialtera 2 f. Tromba 16′ Tromba 8′ ORCH G.O | Bordone 16′ Principale Violino 8′ Bordone di Legno 8′ Viola da Gamba 8′ Ottava 4′ Flauto Armonico 4′ Nazardo 2 2/3′ Flauto Silvestre 2′ Cornetta 1 3/5′ Ripieno 3 f. Voce Celeste 8′ Fagotto 16′ Tromba Armonica 8′ Oboe 8′ Chiarina 4′ | Principale 8′ Flauto Coperto 8′ Ottava 4′ Flauto in VIII 4′ Flauto in XII 2 2/3′ XV 2′ XIX 1 1/3′ Tre di Ripieno Voce Umana 8′ Cromorno 8′ Regale 8′ |
| PEDAAL | HOODFWERK | ZWELWERK | POSITIEF |
| Prestant 32′ Prestant 16′ Subbas 16′ Octaaf 8′ Gedekt 8′ Roerquint 5 1/3′ Octaaf 4′ Bombarde 32′ Bazuin 16′ Trombone 8′ Trompet 4′ Cello | Prestant 16′ Prestant 8′ Roerfluit 8′ Baarpijp 8′ Octaaf 4′ Blokfluit 4′ Quint 2 2/3′ Octaaf 2′ Mixtuur IV – VI Cornet IV Trompet 16′ Trompet 8′ Vox Humana 8′ | Quintadeen 16′ Prestant 8′ Holpijp 8′ Viola di Gamba 8′ Vox Celeste 8′ Octaaf 4′ Open Fluit 4′ Nasard 2 2/3′ Woudfluit 2′ Terts 1 3/5′ Mixtuur IV Fagot 16′ Trompet Harmoniek 8′ Hobo 8′ Schalmey 4′ | Holpijp 8′ Quintadeen 8′ Prestant 4′ Roerfluit 4′ Quintfluit 2 2/3′ Gemshoorn 2′ Quint 1 1/3′ Sesquialtera II Scherp III – IV Dulciaan 16′ Kromhoorn 8′ |
| Editor Version | O.S. Version |
| 1.7.1 | 1.6.0 – 1.12.3 |
| 1.8.1 | 1.13.0 – 1.13.3 |
| 1.9.0 | 1.13.4 |
| 1.10.1 | 1.14.0 – 1.14.5 |
| 1.10.2 | 1.14.6– 1.14.15 |
| 1.11.0 | 1.14.16 – and above |