Unico CLV7


UNICO CLV7 draw stop organ, built with the proprietary Physis technology, offers the most discriminating organist a perfect blend of elegance and sound quality coupled with a features often found only on larger, more expensive instruments.

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CLV7 is a two-manual organ with 32-notes pedalboard, 33 registers + 5 orchestral registers, each of which can tap into a library of hundreds of additional registers. The CLV7 is ideal for the small church that does not want to give up the elegance of a console nor the selection of registers.

Developed with the award-winning and patented Physis® physical modelling technology,  which reproduces the physical phenomena involved in the sound generation of the pipe organ, the CLV7 is capable of generating the highest-fidelity, most authentic church organ sound.

Parameter settings are easy to access, modify and store through the graphic display on the front panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.



Manuals 2 x 61 keys "Tracker Action" keyboards, with velocity control for MIDI and Orchestra sections
Pedalboard 32 keys straight, straight concave or radiating concave AGO
Stop Controls Drawknobs
Internal Amplification 3 Channels, 5 Speakers, 220 W Total (2 x 60 Watt + 1 x 100 Watt)
Expression Pedals 1
Crescendo Pedal Yes


Organ Stops 33
Pedal 9
Great 12
Swell 12
Couplers 3
Tremulants 2, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B
Total Organ Voices > 480
Total Orchestral Voices > 100
Orchestral Voices Stops 5
Styles 4 Preset + 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive
Temperaments 17
Ensemble Adjustable
Air Supply Emulator Adjustable


General Pistons 8
Total General Memories 128: 16*8 Banks
Piston Sequencer Previous, Next, Memory Bank-, Memory Bank+
Return to Handset Registration Yes
Tutti Programmable


Transposer -6/+5 semitones
Automatic Pedal Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler
Enclosed Yes, Programmable for each section
Midi Trasmission Enable Yes, Independent for each Organ Section activable with tabs
Toe Pistons 6
Reverb 8 different venues emulator
Internal Amp EQ 5 bands digital Graphic EQ
MIDI Sequencer Interactive sequencer with Overdubbing function
Remote Control optional
Keyboard Inversion Yes
Organ Setup lock With Password
ON/OFF switch Switch


Line Outputs 4+1
Output Volume Control Adjustable, for each output
Voices Output Routing Programmable for each voices
Output EQ 5 bands digital Graphic EQ for each output


MIDI Interface In, Out and Thru
Stereo Headphone Output yes
Stereo Aux Input Yes
Mic Input With rotative Gain Control
USB for Pen Drive Yes
USB for PC Yes


Cabinet Wooden Moldings
Music Rack Wooden lighted
Rolltop Wooden with Key lock
Bench With Music Storage shelf
Dimensions (WxHxD) cm 143 x 123 x 111,2 - 56,29" x 48,42" x 43,77"
Dimensions without pedalboard (WxHxD) cm 143 x 123 x 69 - 56.29" x 48,42" x 27,16"
Weight Kg 156 / Lbs 344




The knobs, tabs, pistons and display provide super efficient control of the entire instrument.

The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the centre of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips.



“Tracker Touch” style keyboard

Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect.



Powered by Physis ®

Physis® Physical modelling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses Physis® technology – which builds sound through modelling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modelling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having its own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modelling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’!



Complete Connections

A complete selection of external connections is smartly situated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there are a microphone with gain control, 4 external multiple outs + Sub – with the option to expand these to 12+1(Sub). There are also USB host and Device connections. For the USB Host connection, it is possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spatial disposition – and many other parameters.



1 expression pedal and Crescendo pedal

Expression pedal provides a fluid and precise movement – allowing complete control of the volume for Manual II, and CRESCENDO – programmable up to 16 levels.


Introduction to Physis Voicing Flexibility

Modifying a Voicing Style

Physis Voicing Parameters

Tuning Options for Physis Organs

Advanced Tuning, Winding and Touch

Introduction to Audio System Setup

Using External Audio

Physis Technology - Behind the Scenes - part 1 - [HD]

Physis Technology - Behind the Scenes - part 2 - [HD]

Physis Technology - Behind the Scenes - part 3 - [HD]



“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com


Editor Version O.S. Version
1.7.1 1.6.0 – 1.12.3
1.8.1 1.13.0 – 1.13.3
1.9.0 1.13.4
1.10.1 1.14.0 – 1.14.5
1.10.2 1.14.6– 1.14.15
1.11.0 1.14.16 – and above


O.S. Current Release: 1.14.18

Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it

Notice: After the .ZIP file has been downloaded, extract the update .PHY file and copy it to the main folder (root) of a USB flash drive.




Contra Violon 32′

Prinzipalbass 16′

Subbass 16′

Oktavbass 8′

Gedackt 8′

Choralbass 4′

Contra Bombarde 32′

Posaune 16′

Trompete 8′

Pedal Cello

Coupler I/P

Coupler II/P

Manual I

Bourdon 16′

Prinzipal 8′

Hohlflöte 8′

Unda Maris 8′

Oktave 4′

Spitzflöte 4′

Superoktave 2′

Mixtur V

Unda Maris 8′

Contra Trompete 16′

Trompete 8′

Krummhorn 8′

Man.I Piano

Man.I Strings


Coupler II/I

Manual II

Rohrgedackt 8′

Viola di Gamba 8”

Vox Celeste 8′

Prinzipal 4′

Rohrflöte 4′

Nasard 2 2/3′

Blockflöte 2”

Terz 1 3/5′

Scharf III

Fagott 16′

Oboe 8′

Vox Humana 8′

Clairon 4′

Man.II Chimes

Man.II Celesta


UNICO CL7 EU STANDARD – Alternative Voices.pdf




Contra Basso 16’

Bordone 16’

Ottava 8’

Bordone 8’

Basso Corale 4’

Ripieno 4f.

Trombone 16’

Tromba 8’

Clarone 4’

Ped. Violoncello

Unione I/P

Unione II/P


Principale 16’

Principale 8’

Flauto Aperto 8’

Ottava 4’

Flauto a Cuspide 4’

XII 2 2/3’

XV 2’

Ripieno 4f.

Cornetto 3f.

Voce Umana 8’

Tromba 8’

Cromorno 8’

G.O. Pianoforte

G.O. Clavicembalo


Unione II/I


Principale Violino 8’

Bordone 8’

Gamba 8’

Principalino 4’

Flauto a Camino 4’

Nazardo 2 2/3’

Flautino 2’

Decimino 1 3/5’

Cimbalo 3f.

Voce Celeste 8’

Fagotto 16’

Oboe 8’

Rec.Campane Tubolari



UNICO CL7 IT STANDARD – Alternative Voices.pdf




Contre Basson 32′

Bourdon 32′

Contrebasse 16′

Soubasse 16′

Flûte 8′

Flûte 4′

Bombarde 16′

Trompette 8′

Clairon 4′

PED Violoncelle

Grand Orgue

Bourdon 16′

Flûte harmonique 8′

Montre 8′

Bourdon 8′

Prestant 4′

Doublette 2′

Larigot 1 1/3′

Plein-jeu V rgs

Cornet V rgs

Trompette 8′ 

Cromorne 8′ 

Clairon 4′

G.O Clavecin

G.O Cordes


Flûte à cheminée 8′

Gambe 8′

Voix céleste 8′

Flûte octaviante 4′

Octavin 2′

Nasard 2 2/3′

Tierce 1 3/5′

Fourniture IV rgs

Basson 16′ 

Trompette harmonique 8′ 

Basson Hautbois 8′ 

Voix humaine 8′

REC Cloches

REC Hautbois

UNICO CL7 FR – Alternative Voices.pdf

UNICO CL7 FR – Styles.pdf



Untersatz 32’

Prinzipalbass 16’

Kontrabass 16’

Subbass 16’

Oktavbass 8’

Gemshorn 8’

Choralbass 4’

Posaune 16’

Trompete 8’

PED Cello

Koppel Hw/Ped

Koppel Sw/Ped


Gemshorn 16’

Prinzipal 8’

Holzflöte 8’

Salizional 8’

Oktave 4’

Querflöte 4’

Quinte 2 2/3

Superoktave 2’

Mixtur V

Trompete 8’

Clairon 4’

HW Piano

HW Strings


Koppel Sw/Hw


Flötenprinzipal 8’

Gedackt 8′

Gamba 8’

Vox Coelestis 8’

Weitoktave 4’

Rohrflöte 4’

Quintflöte 2 2/3’

Waldflöte 2’

Terzflöte 1 3/5’

Scharf IV

Fagott 16’

Oboe 8’

SW Chimes

SW Celesta


UNICO CL7 DE STANDARD – Alternative Voices.pdf




Contra Bourdon 32′

Prestant 16’

Subbass 16’

Prestant 8’

Gedekt 8’

Koraalbas 4’

Bombarde 32’

Bazuin 16’

Trompet 8′

Pedal Cello

Koppel Hw/Ped

Koppel Sw/Ped


Prestant 16′

Prestant 8′

Roerfluit 8′

Quintadeen 8′

Octaaf 4′

Quint 2 2/3′

Octaaf 2′

Spitsfluit 2′

Cornet V

Mixtuur IV

Trompet 16’

Trompet 8’

Man.I Piano

Man.I Strings


Koppel Sw/Hw


Basson 16′

Holpijp 8′

Viola di Gamba 8′

Vox Celeste 8′

Octaaf 4′

Koppelfluit 4′

Quintfluit 2 2/3′

Nachthoorn 2′

Terts 1 3/5’

Scherp III

Basson 16’

Dulciaan 8′

Vox Humana 8’

Man.II Chimes

Man.II Celesta


UNICO CL7 NL STANDARD – Alternative Voices.pdf