UNICO 400, with its 3 manuals, 56 voices, tilt-tab stop arrangement, and the same Unico 500 stop library, provides everything conveniently at your fingertips to experience the power of Physis modelling technology.
product brochureUnico 400 is a three-manual organ with 32-notes pedalboard, 56 register tabs + 7 orchestral registers. The organ features an elegant console cabinet with roll-top cover. It is the ideal instrument for the advanced students or medium/large sized churches. There is a huge library of internal registers through which the user can easily customize the instrument to his/her liking.
Developed with the award-winning and patented Physis® physical modelling technology, which reproduces the physical phenomena involved in the sound generation of the pipe organ, Unico 400 is capable of generating the highest-fidelity, most authentic church organ sound.
Parameter settings are easy to access, modify and store through the graphic display on the front panel. The “Action Tracker” style keyboard accurately detects touch by obtaining the speed of actuation of the keys, making it possible to feel a “Tracker Touch” effect, i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe.
| Tecnology | PHYSISﾮ PHYSICAL MODELLING |
|---|---|
| Manuals | 3 x 61 keys "Tracker Action" keyboards, with velocity control for MIDI and Orchestra sections |
| Pedalboard | 32 keys straight, straight concave or radiating concave AGO |
| Stop Controls | Tilt Tabs |
| Internal Amplification | 5 Channels,9 Speakers, 340 W Total (4 x 60 Watt + 1 x 100 Watt) |
| Expression Pedals | 2 |
| Crescendo Pedal | Yes |
| Organ Stops | 56 |
|---|---|
| Pedal | 12 |
| Great | 15 |
| Swell | 17 |
| Choir | 12 |
| Couplers | 6 |
| Tremulants | 3, Programmable with independent Depth and Speed for each Organ Division and for Tremulant A and Tremulant B |
| Total Organ Voices | > 480 |
| Total Orchestral Voices | > 100 |
| Orchestral Voices Stops | 7 |
| Styles | 4 Preset + 4 editable User Styles. Hundreds Organ Styles can be loaded and/or stored from/to internal memory and Pen Drive |
| Temperaments | 17 |
| Ensemble | Adjustable |
| Air Supply Emulator | Adjustable |
| General Pistons | 10 |
|---|---|
| Total General Memories | 160: 16*10 Banks |
| Divisional Pistons | 24: 6 for each Organ Division |
| Piston Sequencer | Previous, Next, Memory Bank-, Memory Bank+ |
| Return to Handset Registration | Individual HR for General and Divisional Pistons |
| Tutti | Programmable |
| Transposer | -6/+5 semitones |
|---|---|
| Automatic Pedal | Yes, Programmable as Automatic Piano or Pedal to Manual Mono Coupler |
| Enclosed | Yes, Programmable foe each section |
| Midi Trasmission Enable | Yes, Independent for each Organ Section activable with stops |
| Toe Pistons | 22 |
| Reverb | 8different venues emulator |
| Internal Amp EQ | 5 bands digital Graphic EQ |
| MIDI Sequencer | Interactive sequencer with Overdubbing function |
| Remote Control | Optional |
| Organ Solo Coupler | yes |
| MIDI Solo Couplers | yes |
| Keyboard Inversion | Yes, Fully customizable |
| Organ Setup lock | With Password |
| ON/OFF switch | Key |
| Line Outputs | 12+1 |
|---|---|
| Output Volume Control | Adjustable, for each output |
| Voices Output Routing | Programmable for each voices |
| Output EQ | 5 bands digital Graphic EQ for each output |
| MIDI Interface | In, Out and Thru |
|---|---|
| Stereo Headphone Output | yes |
| Stereo Aux Input | Yes |
| Mic Input | With rotative Gain Control |
| USB for Pen Drive | Yes |
| USB for PC | Yes |
| Cabinet | Wooden Moldings |
|---|---|
| Music Rack | Wooden lighted |
| Rolltop | Wooden with Key lock |
| Bench | With Music Storage shelf |
| Dimensions (WxHxD) | cm 162 x 127 x 111 - 63,77" x 50" x 43,70" |
| Dimensions without pedalboard (WxHxD) | cm 162 x 127 x 69.5 - 63.77" x 50" x 27.36" |
| Colours and Finishes | Light oak real wood veneer, Medium oak real wood veneer, Dark oak real wood veneer |
| Weight | Kg 195 / Lbs 430 |
|
Interface The knobs, tabs, pistons and display provide super efficient control of the entire instrument. The Buttons and tabs to turn registers on and off, the pistons and all the other commands are ergonomically designed to respond quickly and easily to the demands of the user. The display is conveniently located on the side panel (in the centre of the CLV 7, Unico 300, 400, 500, 700, and in a sliding drawer for the Unico 800) with its own set of designated controls. The layout is smartly integrated with the instrument to allow unlimited possibility and personalization at the user’s fingertips. |
|
Keyboard “Tracker Touch” style keyboard Knowing the importance of the classic-organ keyboard, we have taken the utmost care in selecting the absolute best components. The mechanics of the keys gives the impression of a true “Tracker Action”, by obtaining the speed of actuation of the keys – making it possible to feel the “Tracker Touch” effect. i.e. the correlation between the “touch” of the organist and the transient attack of each virtual pipe. The keyboard is not only comfortable and consistent to play, but also dynamically sensitive, which is useful for the MIDI and Orchestral sounds – but also essential to provide the “Tracker Touch” effect. |
|
SOUND GENERATION Powered by Physis ® Physis® Physical modelling is what makes these organs so unique. This technology involved an enormous amount of research and development – and the result is truly innovative instruments which redefine “state of the art”. The sound generation in the entire Unico series uses Physis® technology – which builds sound through modelling technology – NOT storing samples like the 20+ year old technologies of our competitors. Physical modelling rebuilds all the elements of sound through complex algorithms – right down to the smallest imperfections. These are the ingredients which give the original instrument its character and warmth. Physis® technology reproduces the sound in REAL TIME just like it was created through a windblown pipe organ – with each sound having its own unique character. There are no ‘breaks’ and ‘split-points’ as you find in sampling, so the progression of the sound across the keyboard is accurate, smooth and natural. The development and refinement of the algorithms in physical modelling help make Physis organs the best in the world – and a new definition of ‘state-of-the-art’! |
|
Connections Complete Connections A complete selection of external connections is smartly situated. In addition to Standard connections (MIDI In, Out, Thru; Headphones, stereo inputs), there are a microphone with gain control, 4 external multiple outs + Sub – with the option to expand these to 12+1(Sub). There are also USB host and Device connections. For the USB Host connection, it is possible to use a thumb drive to save and upload sound settings. For the USB Device connection, you can connect to a PC to personalize all aspects of the organ. With the Optional “Physis Editor” for PC, you can modify every single register for every single note – including volume, pitch, spatial disposition – and many other parameters. |
|
Pedals 2 Expression pedals and Crescendo pedal 2 expression pedals provide a fluid and precise movement – allowing complete control of the volume for Manual I, the volume for Manual III, and the CRESCENDO – programmable up to 16 levels. |
“Physis-The Editor” is an excellent software tool for Physis Organs editing.
It allows the finest finishing and personalization like stop by se, or a DEMO version of the software package.
Who is interested in purchasing “Physis – The Editor” may request information (costs, how to get it) by sending an email to: organs@viscount.it or info@physisorgans.com
Compatibility:
| Editor Version | O.S. Version |
| 1.7.1 | 1.6.0 – 1.12.3 |
| 1.8.1 | 1.13.0 – 1.13.3 |
| 1.9.0 | 1.13.4 |
| 1.10.1 | 1.14.0 – 1.14.5 |
| 1.10.2 | 1.14.6– 1.14.15 |
| 1.11.0 | 1.14.16 – and above |
O.S. Current Release: 1.14.18
Before installing, please read carefully the update guide. WARNING: To install the currente release you must have already installed the 1.3.0 release or above. For assistance with the update package, contact customer service at service@viscount.it
Notice: After the .ZIP file has been downloaded, extract the update .PHY file and copy it to the main folder (root) of a USB flash drive.
Pedal
Untersatz 32′
Prinzipalbass 16′
Subbass 16′
Gedackt 16′
Oktavbass 8′
Gedackt 8′
Choral Bass 4′
Mixtur IV
Contra Bombarde 32′
Posaune 16′
Trompete 8′
Schalmei 4′
Coupler I/P
Coupler II/P
Coupler III/P
Manual I
Prinzipal 8′
Flöte 8′
Offenflöte 4′
Prestant 4′
Sesquialtera II
Doublette 2′
Larigot 1 1/3′
Sifflöte 1′
Sesquialtera II
Mixtur IV
Regal 16′
SpanisheTrompete 8′
Krummhorn 8′
Tremulant
Coupler III/I
Manual II
Prinzipal 16′
Prinzipal 8′
Gamba 8′
Hohlflöte 8′
Gedackt 8′
Unda Maris 8′
Oktave 4′
Spitzflöte 4′
Quinte 2 2/3′
Superoktave 2′
Kornett IV
Mixtur V
Contra Trompete 16′
Trompete 8′
Klarine 4′
Tremulant
Coupler I/II
Coupler III/II
Manual III
Bourdon 16′
Geigen Prinzipal 8′
Rohrgedackt 8′
Viola di Gamba 8′
Vox Celeste 8′
Oktave 4′
Gemshorn 4′
Rohrflöte 4′
Nasard 2 2/3′
Blockflöte 2′
Terz 1 3/5′
Scharf III
Fagott 16′
Trompete 8′
Oboe 8′
Vox Humana 8′
Clarion 4′
Tremulant
Orchestra
Pedal: Cello
Manual I: Piano
Manual I:Harpsichord
Manual II: Harp
Manual II: String
Manual III: Chimes
Manual III: Oboe
Pedale
Basso Profondo 32′
Contra Basso 16′
Subbasso 16′
Violone 16′
Ottava 8′
Bordone 8′
Basso Corale 4′
Ripieno 4f.
Contra Bombarda 32′
Trombone 16′
Tromba 8′
Clarone 4′
Unione I/P
Unione II/P
Unione III/P
Positivo
Principale 8′
Traversiere 8′
Ottava 4′
Flauto Conico 4′
Flauto in XII 2 2/3′
XV 2′
Decimino 1 3/5′
XIX 1 1/3′
XXII 1′
Due di Ripieno
Voce Umana 8′
Cromorno 8′
Tremolo
Unione III/I
Grand’organo
Principale 16′
Diapason 8′
Principale 8′
Flauto Aperto 8′
Dulciana 8′
Ottava 4′
Flauto a Cuspide 4′
XII 2 2/3′
XV 2′
Ripieno Grave 4f.
Ripieno Acuto 3f.
Cornetto 3f.
Contra Tromba 16′
Tromba 8′
Tromba Orizzontale 8′
Tremolo
Unione I/II
Unione III/II
Recitativo
Bordone Amabile 16′
Principale Violino 8′
Bordone a Camino 8′
Viola di Gamba 8′
Salicionale 8′
Principalino 4′
Flauto Ottaviante 4′
Nazardo 2 2/3′
Flauto Silvestre 2′
Decimino 1 3/5′
Ripienino 3f.
Voce Celeste 8′
Fagotto 16′
Tromba Armonica 8′
Oboe 8′
Regale 8′
Chiarina 4′
Tremolo
Orchestra
Pedale: Violoncello
Grand’organo: Arpa
Grand’organo: Archi
Recitativo: Campane Tubolari
Recitativo: Oboe
Positivo: Pianoforte
Positivo: Clavicembalo
Pédale
Principal Basse 32′
Flûte 16′
Soubasse 16′
Grande Quinte 10 2/3′
Flûte Principal 8′
Grande Tierce 6 2/5′
Flûte 4′
Contre Bombarde 32′
Bombarde 16′
Douçaine 16′
Trompette 8′
Clairon 4′
Accouplez II/P
Accouplez III/P
Accouplez I/P
Positif
Principal 8′
Bourdon 8′
Portunal 4′
Flûte à Cheminée 4′
Principal 2′
Larigot 1 1/3’
Septieme 1 1/7′
Sesquialtera II
Cymbale IV
Ranquette 16’
Chamade 8′
Cromorne 8′
Tremblant
Accouplez III/I
Grand Orgue
Montre 16′
Montre 8′
Flûte Harmonique 8′
Bourdon 8′
Grand Nasard 5 1/3′
Prestant 4′
Flûte à Fuseau 4′
Grande Tierce 3 1/5′
Doublette 2′
Cornet II-V
Grosse Fourniture III
Petite Fourniture V
Bombarde 16′
Trompette 8′
Cor Anglais 8′
Tremblant
Accouplez III/II
Accouplez I/II
Récit
Bourdon 16′
Diapason 8′
Flûte Traversière 8′
Viole de Gambe 8′
Voix Céleste 8′
Octave 4′
Flûte Octaviante 4′
Nasard Harmonique 2 2/3′
Octavin 2′
Tierce Harmonique 1 3/5′
Piccolo Harmonique 1′
Plein Jeu Harmonique III-VI
Bombarde 16′
Trompette Harmonique 8′
Hautbois 8′
Voix Humaine 8′
Clairon Harmonique 4′
Tremblant
Orchestra
Pédale: Violoncelle
Grand Orgue: Harpe
Grand Orgue: Cordes
Récit: Cloches
Récit: Oboe
Positif: Piano
Positif: Clavecin
Pedal
Untersatz 32′
Prinzipal- bass 16′
Kontra- bass 16′
Subbass 16′
Oktav- bass 8′
Gemshorn 8′
Choral Bass 4′
Mixtur IV
Contra Bombarde 32′
Posaune 16′
Trompete 8′
Feld- trompete 4′
Koppel HW/PED
Koppel SW/PED
Koppel POS/PED
Positiv
Prinzipal 8′
Gedackt 8′
Quintadena 8′
Oktave 4′
Rohr- gedackt 4′
Oktave 2′
Larigot 1 1/3′
Sifflöte 1′
Sesquialtera II
Scharff IV
Dulzian 16′
Krumm- horn 8′
Tremulant
Koppel SW/POS
Hauptwerk
Pommer 16′
Prinzipal 8′
Rohrflöte 8′
Gamba 8′
Gedackt 8′
Oktave 4′
Spitzflöte 4′
Quinte 2 2/3′
Superoktave 2′
Nacht- horn 2′
Kornett V
Mixtur IV
Zymbel III
Contra Trompete 16′
Trompete 8′
Trompete 4′
Tremulant
Koppel POS/HW
Koppel SW/HW
Schwellwerk
Bourdon 16′
Holz- prinzipal 8′
Koppel- flöte 8′
Salizional 8′
Vox Coelestis 8′
Oktave 4′
Viola 4′
Hohlflöte 4′
Nasard 2 2/3′
Blockflöte 2′
Terz 1 3/5′
Mixtur V
Fagott 16′
Trompete 8′
Oboe 8′
Vox Humana 8′
Clarion 4′
Tremulant
Orchestra
Pedal: Cello
Positiv: Piano
Positiv: Harpsichord
Hauptwerk: Harp
Hauptwerk: String
Schwellwerk: Chimes
Schwellwerk: Oboe
Pedaal
Subbas 32′
Prestant 16′
Bourdon 16′
Octaaf 8′
Gedeckt 8′
Roerquint 5 1/3′
Octaaf 4′
Nachthoorn 2′
Bazuin 32′
Bazuin 16′
Trompet 8′
Schalmei 4′
Koppel Hw/Ped
Koppel Zw/Ped
Koppel Pos/Ped
Positef
Gedekt 16′
Prestant 8′
Fluit Douce 8′
Octaaf 4′
Gedacktfluit 4′
Nasard 2 2/3′
Octaaf 2′
Speelfluit 2′
Quint 1 1/3′
Scherp III – IV
Sesquialter II – III
Dulciana 8′
Tremulant
Koppel Zw/Pos
Hoofdwerk
Holpijp 16′
Prestant 8′
Holpijp 8′
Baarpijp 8′
Octaaf 4′
Spitsfluit 4′
Quint 2 2/3′
Octaaf 2′
Woudfluit 2′
Mixtuur IV – VI
Cornet III
Trompet 16′
Trompet 8′
Vox Humana 8′
Tropmet 4′
Tremulant
Koppel Zw/Hw
Koppel Pos/Hw
Zwelwerk
Violon 16′
Prestant 8′
Salicionaal 8′
Roerfluit 8′
Viola di Gamba 8′
Vox Celeste 8′
Prestant 4′
Fluit Travers 4′
Salicet 4′
Quintfluit 2 2/3′
Nachthoorn 2′
Terts 1 3/5′
Mixtuur IV
Basson 16′
Clarinet 8′
Hobo 8′
Schalmei 4′
Tremulant
Orchestra
Pedaal: Cello
Hoofdwerk: Harp
Hoofdwerk: Strings
Zwelwerk: Chimes
Zwelwerk: Oboe
Posiitef: Piano
Positief: Harpsichord
